Calligraphy designs, originally refers to lettering that is done in single strokes, using a calligraphic writing instrument, such as a modem, brush or pen-traditional. Calligraphic lettering refers to typographic art that is formed by drawing the letter forms in outline. However, lettering and calligraphy may be used to mean the same thing, especially where lettering is done in calligraphic style, and is flowing.
Several other western styles use similar tools and practices, but differ by stylistic preferences and character set. Modern designing techniques range from functional arts to fine-art products which may or may not be legible. A skilled and experienced calligrapher can always practice both non-classical hand lettering and classical calligraphic art, although the two differ greatly.
Calligraphic art is mainly used in event and wedding invitations, religious art, original-hand lettered logos, memorial documents, topography and fonts, announcements, graphics, announcements, and cut stone inscriptions. In addition, it is used to move images in film and television and images, birth and death certificates, maps, testimonials, and all forms of work that employ use of artistic writing. Charters issued by monarchs and state officers in various countries apply this art as well.
The principal tools for any calligrapher are a flat-balled or round-nibbed pen, and a brush. Pens may vary since some decorative may require pens having more than one nib and steel brushes. However, felt-tip and ballpoint pens have also been used, although the works do not employ angled lines. The ink used by these pens is often water-based and has less viscosity compared to the oil-based ink used for printing purposes.
Quality paper with excellent consistency of porosity yields cleaner lines, although parchment or vellum is often used. Light boxes and templates are used to produce straight lines without any form of detractions on the work that may arise from pencil markings. The speed, decelerations, accelerations of moves, turns, stroke order, and crotchets made by the writer greatly influence the final shape by giving spirit to the characters.
Western calligraphic practice is recognized by use of Latin scripts. The Latin alphabet was invented in Rome, and by the second century, it developed into Roman imperial capitals that were carved on stones. As writing withdrew to monasteries, a new uncial script was discovered for copying the Bible and many other religious texts. Monasteries helped in preserving calligraphic traditions during the fourth and fifth centuries, when Europe entered the dark ages and the Roman Empire fell.
The shape, size, hair type, and stretch of brush, water density and density of the ink are the main physical parameters that can influence the final result either directly or indirectly. The quantity of ink and water the calligrapher permits the brush to take also determine the final result. Bolder or thinner strokes also depend on the pressure applied on the brush, the direction the brush is given, and the angle of inclination of the brush. Before a calligrapher starts creating a detailed and systematic plan, he must study the text and decide on the lettering styles to be used, the spacing of lines, the weight and texture of the letters, and margins and paragraphs.
Calligraphy designs boosts visual impression of words and graphics. The nostalgic impression set by calligraphic arts can help individuals share in the activity and learn the basic techniques, then develop their own style. Calligraphy and lettering can be used together, especially in designs where calligraphic styles require lettering, and is flowing and expensive.
Several other western styles use similar tools and practices, but differ by stylistic preferences and character set. Modern designing techniques range from functional arts to fine-art products which may or may not be legible. A skilled and experienced calligrapher can always practice both non-classical hand lettering and classical calligraphic art, although the two differ greatly.
Calligraphic art is mainly used in event and wedding invitations, religious art, original-hand lettered logos, memorial documents, topography and fonts, announcements, graphics, announcements, and cut stone inscriptions. In addition, it is used to move images in film and television and images, birth and death certificates, maps, testimonials, and all forms of work that employ use of artistic writing. Charters issued by monarchs and state officers in various countries apply this art as well.
The principal tools for any calligrapher are a flat-balled or round-nibbed pen, and a brush. Pens may vary since some decorative may require pens having more than one nib and steel brushes. However, felt-tip and ballpoint pens have also been used, although the works do not employ angled lines. The ink used by these pens is often water-based and has less viscosity compared to the oil-based ink used for printing purposes.
Quality paper with excellent consistency of porosity yields cleaner lines, although parchment or vellum is often used. Light boxes and templates are used to produce straight lines without any form of detractions on the work that may arise from pencil markings. The speed, decelerations, accelerations of moves, turns, stroke order, and crotchets made by the writer greatly influence the final shape by giving spirit to the characters.
Western calligraphic practice is recognized by use of Latin scripts. The Latin alphabet was invented in Rome, and by the second century, it developed into Roman imperial capitals that were carved on stones. As writing withdrew to monasteries, a new uncial script was discovered for copying the Bible and many other religious texts. Monasteries helped in preserving calligraphic traditions during the fourth and fifth centuries, when Europe entered the dark ages and the Roman Empire fell.
The shape, size, hair type, and stretch of brush, water density and density of the ink are the main physical parameters that can influence the final result either directly or indirectly. The quantity of ink and water the calligrapher permits the brush to take also determine the final result. Bolder or thinner strokes also depend on the pressure applied on the brush, the direction the brush is given, and the angle of inclination of the brush. Before a calligrapher starts creating a detailed and systematic plan, he must study the text and decide on the lettering styles to be used, the spacing of lines, the weight and texture of the letters, and margins and paragraphs.
Calligraphy designs boosts visual impression of words and graphics. The nostalgic impression set by calligraphic arts can help individuals share in the activity and learn the basic techniques, then develop their own style. Calligraphy and lettering can be used together, especially in designs where calligraphic styles require lettering, and is flowing and expensive.
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