This talented and widely known artist in question was raised in Los Angeles, California. A Hollywood, California native, Alison Van Pelt came into this world on September 16, 1963. Growing up, she eventually decided she wanted to be an artist.
Her formal schooling in art started in the 1970s. She studied in different schools in America and Europe At UCLA, the California University, and the Otis Parsons Institute in America, and at the Florence Academy in Italy.
During the 1970s, her artistic skills truly began to blossom. Coming up of age in the 70s open-minded social climate, her photorealist painting style was welcomed among art fans and critics of the era- the era of the assimilation of photography into the art world. The welcoming of her unique style was evocative of that specific era.
She was inspired by many other painters, such as Agnes Martin, Paramahansa Yogananda, Robert Rauschenberg, Helmut Newton, Yayoi Kusama, Hunter S. Thompson and Dan Millman. They gave the very talented and young American female artist the motivation and influence, which evolved into her unique, recognised style. She learned how to adapt the images of figures or other subjects and how she would paint them. Naturally she evolved her own methods, and discovered the complex process which is still hers today. Her beautiful, mystical, but purposefully-degraded interpretation of her subject, always brings her own conclusion to the finale.
She developed her own veritable painstaking techniques, and her passion was often the motivation for working despite all the pains of producing her technical miracles. This revealed the human, yet mysterious works she came up with. She would begin by possibly looking at particular photograph, or another image or picture which would have intrigued her, and maybe draw using hand first, or paint a realistic-style portrait. The complex obscuring technique over the original painting was her final, unique process.
Her work has been exhibited in solo shows in galleries throughout North America and Europe. The Fresno Art Museum and The Dayton Art Institute, are two of the galleries that have exhibited her artwork. Her artistic creations are also represented in significant public collections, such as the Armand Hammer Museum, the Jumex Foundation (Mexico City), and the Studio Museum (Harlem). She is currently residing and working in Santa Monica, CA.
From a distance, the vast majority of this unique artists' images appear soft at first look, almost as though they were essentially photographed through a light to medium mist of some sort. But as whoever happens to be viewing one of her abstract and complex works of art, when they approach the artwork, vertical lines can eventually be seen, and on even closer inspection, even a sort of horizontal weave ultimately emerges.
Critics of this talented female artist have labelled her paintings as "abstract" artworks. However, her answer to that opinion is that for most art viewers, her unique abstract process absorbs and brings together the traditions of contemporary abstraction and portraiture. It's up to the one viewing whether her paintings are going into the actual world, or are really receding into the main regions of the canvas. The renown artist has never replied with an answer to this perception, she leaves it up to each individual viewer to make up their own mind.
Her formal schooling in art started in the 1970s. She studied in different schools in America and Europe At UCLA, the California University, and the Otis Parsons Institute in America, and at the Florence Academy in Italy.
During the 1970s, her artistic skills truly began to blossom. Coming up of age in the 70s open-minded social climate, her photorealist painting style was welcomed among art fans and critics of the era- the era of the assimilation of photography into the art world. The welcoming of her unique style was evocative of that specific era.
She was inspired by many other painters, such as Agnes Martin, Paramahansa Yogananda, Robert Rauschenberg, Helmut Newton, Yayoi Kusama, Hunter S. Thompson and Dan Millman. They gave the very talented and young American female artist the motivation and influence, which evolved into her unique, recognised style. She learned how to adapt the images of figures or other subjects and how she would paint them. Naturally she evolved her own methods, and discovered the complex process which is still hers today. Her beautiful, mystical, but purposefully-degraded interpretation of her subject, always brings her own conclusion to the finale.
She developed her own veritable painstaking techniques, and her passion was often the motivation for working despite all the pains of producing her technical miracles. This revealed the human, yet mysterious works she came up with. She would begin by possibly looking at particular photograph, or another image or picture which would have intrigued her, and maybe draw using hand first, or paint a realistic-style portrait. The complex obscuring technique over the original painting was her final, unique process.
Her work has been exhibited in solo shows in galleries throughout North America and Europe. The Fresno Art Museum and The Dayton Art Institute, are two of the galleries that have exhibited her artwork. Her artistic creations are also represented in significant public collections, such as the Armand Hammer Museum, the Jumex Foundation (Mexico City), and the Studio Museum (Harlem). She is currently residing and working in Santa Monica, CA.
From a distance, the vast majority of this unique artists' images appear soft at first look, almost as though they were essentially photographed through a light to medium mist of some sort. But as whoever happens to be viewing one of her abstract and complex works of art, when they approach the artwork, vertical lines can eventually be seen, and on even closer inspection, even a sort of horizontal weave ultimately emerges.
Critics of this talented female artist have labelled her paintings as "abstract" artworks. However, her answer to that opinion is that for most art viewers, her unique abstract process absorbs and brings together the traditions of contemporary abstraction and portraiture. It's up to the one viewing whether her paintings are going into the actual world, or are really receding into the main regions of the canvas. The renown artist has never replied with an answer to this perception, she leaves it up to each individual viewer to make up their own mind.
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